The Star Wars set (see Empire above) was sold for $50 each through the online art shop Mondo Tees in 2010 but is so limited and is considered so iconic that the complete set has sold for over $8,000 through art trading websites.īut beyond the high caliber of these productions, Olly combines this artistic style with his ability to re-imagine popular culture characters and stories as something else, often presenting an image starkly contrary to the actual content. Occasionally available to the public as limited-run screen prints, these posters sell out online in seconds. Below are some notable examples following his single-gradient, double-image style. His film posters (both commissioned and for personal enjoyment) for example are typically a combination of Photoshop vectors, watercolor, and oils, blended digitally with text to achieve the final product. Olly’s command of physical, digital, and mixed media color and contrast is superb, showing itself in a wide range of pop-cult minimalist pieces. This is on top of the skilled artistic nature of the works, which is not to be ignored. It doesn’t hide from the audience, but still provides a moment of excitement and appreciation when noticed. This double-image style connects multiple subjects and often offers an easily-accessible hidden meaning: an outside joke, if you will. The key aesthetic here could be described as a high-contrast double-image… in every Harry Potter cover there is an immediate interpretation of the image, such as a book or a bird, but in moments the second image becomes apparent, like a wizard’s spell or the towers of a castle. Born in 1987 (he turned 30 this week), Olly Moss is perhaps best known for his film posters and audiobook covers, having been commissioned by Amazon for the 2015 publication of the Harry Potter set on .īeyond the immediately-noticeable single-hue or single-gradient coloration of these paintings, Olly has taken known imagery and iconography and presented it in a unique fashion. This genre has gradually expanded to included books, television, and in recent decades video games and even board games. The aesthetic of young English graphic designer Oliver “Olly” Moss is a modern expression of many classic pop art ideals… simplicity in design, a connection to an established icon, but a twist on the interpretation or understanding of the content. The status of comic books, musicians, and film in the cultural eye made them perfect subjects for this treatment, coming to define the trend as it were, “popular” art. Pop art of the ’50s was largely considered a reaction to abstract expressionism from the ’30s and ’40s, a trend of surrealism and spontaneity in art that included splatters, geometry, high-contrast reductionism, and other styles often vaguely included in the concept “modern art.” Notable figures such as Andy Warhol and Eduardo Paolozzi pioneered pop art by taking culturally relevant imagery-often of a commercial nature such as advertisements or product designs-and putting a critical spin on the subject matter. The sub-genre of pop-cult minimalism can be most easily traced to the emergence of Pop Art in the 1950s in England and America.
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